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Deering Goodtime vs. Goodtime Classi

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So, looking longingly at the elderly catalog, and I've noticed that it seems as if the Goodtime with the scooped fretboard is virtually identical to the more expensive classic, other than planetary tuners, color and the railroad spikes that you get on the classic.

Do they sound and play the same, or is there something musical/functional that is better about the more expensive classic?  I tried searching here, but it throws so many results it's hard to sift through.

Obviously, I like the traditional look better, but not necessarily so much so that I'd spend the extra cash on it.


Banjolution T-Shirts 50% off Today only!

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Use code: HALFYEARSALE

Click on the $ or go to:

http://www.zazzle.com/banjolution

All profits (10%) go to BHO

Cya!

Bob

Thinking of starting to learn the banjo

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Been looking at the Epiphone MB200 Banjo and was just wondering if its any good? Price is £200. Also I can bend the last joint on my right hands index finger, how problematic will this be?

Trade: RK-R35 for Hoffee or Price Case

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I have a like new Recording King RK-R35 that I would like to trade for a new or used Hoffee or Price banjo case.  Willing to throw in a little cash to make the deal work.

The RK is about four months old and has been played very little.  I have pictures that I can send if anyone is interested in a trade.

Something New? Maybe, maybe not.

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Perhaps this has been thought of or discussed before.  It probably has but if so, I have not seen it.

I was prepping for an upcoming jam and practicing vamping/rolling to songs I expect will come up.  I don't know if it’s just me, but one of the many things I really struggle with is to remember all these different chord progressions.  The fact they are similar almost makes it worse somehow. And when I’m trying to learn multiple songs for a jam I can get really mixed up.  At least until I came upon this idea.

Using the Nashville Numbering System- or some might say abusing it - smiley  I began with the starting assumption that many people view going I->IV as a 'brightening' or kind of accelerating feeling  and I->V as 'downshifting or braking'.    Inexact perhaps, but helpful in the following context.

What if the ‘I’ becomes a sort of baseline, IV (brighter) is 'higher' and V is ‘lower’ ('braking' in this case means it gets a negative 5), sort of following the Nashville Numbering System.   If you can buy into that single idea, then you can create a pictorial representation of a I-IV-V chord progression like this example of Worried Man Blues.

Worried Man Blues Chords

This I at least, have a much easier time keeping in my head.  Even If I can't remember the exact measure counts I know about when something is going to change and how it will change.

Here is another for Jesse James

Jessie James Chords

I could show some others but you get the idea.   You would of course need more points to show a song like Cripple Creek with mid measure chord changes (at least in Excel)    But I think more utility  can be garnered here  by keeping it simple; this could all be drawn on a napkin.   With practice I think that if somebody calls out 4 bars of  G, 2 of C, 4 of G and 2 of D 4 of G, you should be able to at least put a low resolution mental image in your head to help get you through the song.

This like the numbering system itself  takes care of unexpected keys as you begin to think of things in terms of song effects as opposed to letters or even numbers.

I suspect if anybody at all would find value in this it would be relative beginners like me.  We relative newcomers are all trying put so much new stuff in our heads that anything that makes the process easier is worth at least a try.   Please don't let this be a crutch. Far better is to hear and recognize the chord changes.  But I think you can use this to learn to hear them better.  It helps when you know they are coming.

If you think it worthy give it a try.

My New Build, Baritone Uke Banjo

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About a year ago I was at a friend's who had a large pile of "scrap" ash in his driveway most of it milled to about 2" thick x 4"-8" wide so I grabbed a few boards. They had been stored outside for a long time and were getting rough, the rest has since been given away for firewood. I had seen some ash necks here and I kinda like the grain pattern so decided I would build something with it. I have a Baritone Uke next to my couch tuned to open G that I use for quick or quiet banjo practice so decided I would build a Baritone Ukulele Banjo. It is built with a 20" scale and 20 frets which puts the tailpiece in about the right place, originally I was trying for 21 fret but this put the bridge too close to the head centre. Neck is one piece of ash and the 10" rim is made from 3 layers of 9 segments each of mostly the cut offs from the ash.

I scrounged my pile of spare parts from ebay and here and found some cloud inlays, rosewood fingerboard, tuners and bridges. I sourced the raw brass  hooks, nuts and shoes from Rickard's and found a box full of #12/24 Filister head screws to fit the shoes in my Indian motorcycle parts stash. I rolled the tension hoop and a 1/4" brass tone hoop with a Harbor freight roller made the tailpiece from a spare brass house number. The Rim Rod I made from 5/16" zinc plated rod from the hardware store. Strings are Aquila Nylgut and 10" head was sourced at Elderly. The Stain is Fiebings Leather Dye, "Light Brown and finished with Watco Aerosol Nitro Lacquer from Home Depot. Total cost wound up around $150 which I thought compared well to a $400 -$500 Gold Tone BUB.

It has plenty of volume for an open back with nylon and the tone has some brassiness to it but not enough to make it sound like a tenor. The Strings were designed for DGBE but I am going with DGBD. Here are some pics.

Problems with embedded video

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Well, since we got a music forum something has changed in the format and I can't embed videos anymore.  I get an error that says: 

There has been a problem!

One or more of your embedded images or scripts has an invalid 'src' URL. Please check your post and try again.

 

Hey neck buildesrs & luthier types!

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I'm re-habbing an old "Masterclone" neck, and want to change the headstock shape / style (It is the old Kasuga shape, right now). Anyway, I've been looking on Ebay, other Internet sites trying to find a couple pieces of mahogany big enough to use as headstock "ears", but I'm having no luck.

Where can I can buy a couple pieces of mahogany to use?? Or. if someone has a couple pieces laying around, I'll buy them and pay shipping.

Any suggestions, offers would be greatly appreciated!

 

Scott


Bacon Banjo No.1 Uke

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Hello, I am new to the forum but have been an active member on sites like acousticguitarforum.com and audiogon.com where i have bought, sold, and traded many guitars and audio equipment. This is a Bacon Banjo Uke No. 1. Serial number is 14820 which according to inquires dates it to 1924. The condition is mostly very good though the skin is seperating from the top in one place. You can see it in the pics. All other imperfections from what i can see are cosmetic and completely expected for an instrument of this age. I do not have a case but will pack the Banjo very safely. I am asking $800 shipped and insured to the continental U.S.A. only. I accept paypal. Please let me know if you have any questions.

 

Thanks,

 

Joe

1814--better backing track

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the ryyhm banjo was a bad idea i fired it

SS Stewart Banjo Guitar from Tsumura Collection

Square Peg Rounders - old time/3 finger

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It's not a video or sound file, but an album I'm playing on.  Square Peg Rounders, it's an old-time record with Aaron Jonah Lewis (currently with Nora Jane Struthers) on fiddle, Erica Weiss on guitar, and me playing 3 finger banjo. 

I hope some folks on here enjoy it, this is the first time I've ever recorded a style of banjo picking I've worked out to play with old time fiddlers.

quick description: "Here are a dozen of our favorite fiddle tunes played with love, joy and humor on fiddle, guitar and three-finger banjo. Recorded while the three of us were still high from the Galax Old Fiddlers Convention, which ended a week before our studio session."

listen for free: http://squarepegrounders.bandcamp.com

purchase: http://www.cdbaby.com/cd/squarepegrounders

Thanks everybody,

Sam

Savannah Summertime Sizzler Banjo Package $299.99

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http://www.banjohangout.org/classified/37319

Savannah SB-100 5-string banjo, digital tuner, strings, banjo strap, deluxe hard shell case.

$299.99 with free shipping in the 48 states. This deal ends on July 5 at noon.

Where Is My Mind - TBT

Vote "Often"

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Well, I got the email notification to vote and rate.. but, the email said to vote early and vote "often". To vote often biases the whole project, meaning that any one or several can get several votes instead of just one vote per person. I thought that was odd and unfair to others. So, I looked at the rules of the contest and didn't see anything particular to this issue, but what is the consensus about it? 


String Spacing for Begining Banjo Buyers - Watch Out!

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If you are looking to buy your first banjo(s), I'd like to alert you to something you might not be aware of or notice when you are buying that first banjo.  Lately I have seen new lines of banjos being promoted here on BHO  and some, not all, have this situation/problem. And not just the less expensive banjos either.

 

Some banjo makers fail to make the neck wide enough at the fifth fret area thereby cramping the string spacing.  At that point they can "solve" the situation by  either 1) making the string spacing equal which brings all the strings closer together than what you'd expect/want from a nut length size, or 2) spacing strings 1-4 normally but greatly narrowing the space between strings 4-5.  Usually the latter is chosen. When this latter approach is used, it works fine until you have to fret the 4th string above that fifth fret wire which you commonly do if you ever put a capo on your banjo.  When that happens, it is all too easy to accidently mute your fifth string with your fretting finger because it is so close to that fourth string. 

 

The clue that solution #1 has been employed is that the first string is usually the proper distance from the edge of the fret board but the fourth string is a much longer distance from the fret board which you can easily see on the neck from the nut to the fifth fret.  It took me awhile to recognize this problem on my early banjo purchases and I  am just trying to have you avoid  the same pitfalls  of my learning curve.

 

I have seen cheap banjos with excellent string spacing, and very expensive banjos that had poor string spacing.  Examples of good and bad abound here on the classifieds but also at other banjo stores.  Some luthiers and banjo manufacturers got it, but some haven't, or are irregular in their production. There are a lot of things to watch out for on your first banjo purchase - neck straightness, pot angle, neck/pot attachment, etc. - but I wanted you to be aware of this issue of fifth fret area neck wideness. Its the first thing I look at now when I pick up a banjo to try. I wouldn't buy any banjo over the internet (risky enough) without a clear picture of that fifth fret area. And besides you, who knows, maybe some of these neck luthiers will pay attention and change their ways.  Happy banjo playing! Banjered

switching mower carb to new motor

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My 33 year old Murray finally needs to be replaced. Can you believe that? So sooonnn?  Sheesh. Anyway, the new mowers have no throttle cable (thanks to the EPA), they all run full throttle from the moment they start. That has got to be horrible for the motor. A cold start and WOT right away ?!!?  Just think of the damage in the cylinder with cold oil and dry cylinder walls. Anyway, I am thinking of taking the carb off my old motor and putting it on the new one. Not sure it will bolt up. But what I do know is that the new carbs, besides having no throttle adjustment, have no low speed idle jets, so even if I hooked up a cable to the butterfly, it wouldn't work.

are my ears going on me?

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So I thought this would be a nice song to try and work out in 2 finger style to give me a break with clawhammer. It's good to take breaks right?!
It seems Clifton is sliding UP the neck at the very beginning of the song and throughout, but it sounds as though he is sliding to a lower note!
Are my ears deceiving me? I just can't figure out how that slide up is creating that sound?

Any ideas?

 

http://www.youtube.com/watch?v=hNTRx45ilGM&list=PL07R2cMG4rBzd9kOCmHy5JcV8AIDqiq9b

 

Fiberglass Case-Superior vs Musicians Gear

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I'm looking for a new case and am thinking about one of the affordable fiberglass models.  I'd be interested in hearing input from folks who have laid hands on both the Musicians Gear fiberglass and the Superior fiberglass.  Neither is available locally, so I'd be buying sight unseen--not the best practice, I know.  Or if folks think that fiberglass isn't a good idea in the under $250 price range, I'd be interested in hearing that.  Thanks in advance.

Problems posting hyper links

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I'm having fun with the BHO site today.  I was having problems earlier posting embedded video.  Now I can't make the link option work.  When I go to post a hyper link I get the old famous 

There has been a problem!

One or more of your embedded images or scripts has an invalid 'src' URL. Please check your post and try again.

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